The Twelve Tribes of Hattie

hatti2The novel opens on a positive note.

Hattie Shepherd and her newborn twins, Philadelphia and Jubilee, are dozing in the shade on the porch.  The scene is an idyllic one. “The neighborhood rang with birdsong. The twittering lulled the twins to sleep and put Hattie in such high spirits that she giggled all the time.” The proud young mother was deeply in love with her first-born children and had given them “names of promise and of hope, reaching forward names, not looking back ones.”

Unfortunately, Hattie’s optimism is short-lived.

During a brutally cold Philadelphia winter, money is scarce and the furnace breaks down. Hattie struggles to keep her twins healthy, but they die of pneumonia. Hattie never recovers from this tragedy. She goes on to have nine more children, but fails to establish a strong, maternal bond with any of them.

In the remaining self-contained chapters that cover the years 1948 to 1980, author Ayana Mathis reveals the extent of Hattie’s grief through the eyes of her other children and a grandchild. Thrown in the middle of their lives, we watch as they wrestle with their inner demons.

We meet Floyd, a talented musician, who struggles with sexual confusion and shame.

Hattie’s son Six alternates between bouts of violence and Bible preaching.

We can feel Bell’s ambivalence toward her mother as she lies dying of tuberculosis in a run-down apartment. She actually fantasizes about her mother’s soup: “Hattie had kept them all alive with sheer will and collard greens and some southern remedies. Mean as the dickens, though.”

While Alice appears to be the most successful and upwardly mobile sibling, she cannot release memories of the childhood abuse that she and her brother Billups endured.

Bits and pieces of Hattie’s life emerge as each child’s life unfolds. We can feel her frustration and anguish as she wrestles with her husband’s womanizing and the circumstances surrounding the births of Ruthie and Ella.

At times, it was hard to keep track of all the characters. Personally, I would have preferred more depth and  the use of, at most, four different voices.  I found Hattie, Bell, Floyd and Six to be the most compelling of the characters. If  Ayana Mathis decides to continue this saga, I hope she considers writing Bell’s story.

Note: Oprah will have an exclusive television interview with Ayana Mathis on Super Soul Sunday–February 3rd at 11:00 a.m.

Movie Review: Arbitrage

Charismatic shark. Urban predator. Self-serving Wall Street bastard.

I was intrigued by the descriptions of New York hedge fund magnate Robert Miller (Richard Gere) that appeared in different reviews of Arbitrage. After watching the film, I agreed with all of them.

The morally bankrupt financier conducts his business and personal affairs with cool deliberation. When the film opens, Miller is rushing home to celebrate his 60th birthday at a family dinner. As he reigns over the table, he tosses out praise and promises, but his thoughts are elsewhere. Several hours later, he meets up with his mistress, French gallery owner Julie, who demands more of a commitment from him.

To appease Julie, Miller invites her to drive with him to his family’s weekend home. On the way, he falls asleep at the wheel and crashes the car, leaving the woman dead. Miller appears visibly upset, but we quickly learn that he is more concerned about how this mishap will affect his latest financial deal.

Having illegally borrowed more than $400 million to cover up a gaping hole in his company’s financial records, Miller awaits a federal audit and the decision of a tycoon (Graydon Carter). He asks Jimmy Grant (Nate Parker), a young man who feels beholden to Miller, to help him cover his tracks after the accident. Everything appears to be working to plan until a detective (Tim Roth) starts sniffing around.

Richard Gere delivers an award-winning performance that has already been recognized by the Golden Globes.  Throughout the film, he maintains that unflappable air of a man who can easily negotiate killer deals, ruin lives and make charitable donations.

An excellent film made even more compelling by the ambiguous ending.

Book Review: A Week in Winter

week3This is the last time Maeve Binchy will enchant us with her writing.

Set in a bed and breakfast on the Irish coast, A Week in Winter follows the lives of innkeeper Chicky Starr, her niece Orla, family friend Rigger and a group of strangers who find their way to Stone House. Binchy has given each character a separate chapter, allowing the reader to discover their back stories.

Each evening, I found myself curling up with a different character and reading with anticipation as Binchy applied her familiar formula. She once said, “I don’t have ugly ducklings turning into swans in my stories. I have ugly ducklings turning into confident ducks.”

I was most fascinated by Chicky Starr. After surviving a disastrous love affair, she concocted a fantasy about her life in New York and kept the fantasy alive for two decades. When she returned to Stoneybridge, she purchased a dilapidated estate and, against all odds, turned it into a successful small hotel.

The colorful cast of characters include the following…

Thirty-four-year-old Winnie has found her soul mate but must deal with his overbearing mother.

Corry, an aging movie star, must learn how to embrace and share his fame.

Two married doctors, Henry and Nicola, are still grieving several unfortunate deaths while yearning for a child.

Anders, a Swiss accountant, has abandoned his passion for music and the only woman he ever loved to please his father.

Nell Howe, a retired school principal, faces a bleak and lonely life.

Freda, the librarian, must learn to accept and value her psychic abilities.

The Walls, a married couple, struggle with their second-place win: a week at Stone House.

An impressive collection of linked short stories that can be easily described as a Maeve Binchy’s final tribute to Irish family life. Excellent reading, especially on cold, blustery January days.

Movie Review: Les Misérables

Set against the backdrop of post-Revolution nineteenth-century France, Les Misérables is an epic musical featuring a set of A-list actors, among them Hugh Jackman, Anne Hathaway, Russell Crowe and Amanda Seyfried. Nominated for four Golden Globe awards, the musical is definitely a contender for just as many, if not more, Oscars.

The film centers on the life of Jean Valjean (Jackman), a man serving a nineteen-year sentence for stealing a loaf of bread to feed his sister’s child. After Valjean is granted parole, he is taken in by a kind bishop who supports and forgives him despite the former’s theft of valuable church items. As Valjean prospers, he still manages to attract problems and the renewed scrutiny of his former jailer (Crowe). Unable to save the persecuted prostitute Fantine (Hathaway), Valjean resolves to provide for her daughter Cosette, played by Isabelle Allen and later, Amanda Seyfried.

Director Tom Hooper’s decision to have the actors sing live on stage was an excellent one. So many wonderful and memorable numbers…

During the opening scene, the convicts sing “Look down, look down, you’ll always be a slave” while hauling a huge, battered ship into dry-dock under the watchful eye of Javert as he sings “Do not forget me, 24601” to Valjean.

Hathaway’s take on “I Dreamed a Dream” is one of the film’s show-stopping events.

The corrupt innkeepers played by Sacha Baron Cohen and Helena Bonham Carter provide comic relief in their rendition of “Master of the House.”

Later, their daughter Eponine (Samantha Parks) beautifully sings “On My Own” when she discovers that her love interest Marius (Eddie Redmayne) yearns for Cosette.

An excellent holiday film!



Movie Review: The Guilt Trip

A long-time fan of Barbra Streisand, I look forward to all her movies.

In her latest, The Guilt Trip, seventy-year-old Streisand plays a convincing fifty-something Joyce Brewster, the perpetually nagging mother of struggling inventor Andy (Seth Rogen).

After hearing his mother’s confession about a lost love, Andy impulsively invites her to accompany him on his cross-country sales trip. Throughout the trip, Joyce continues to smother and baby Andy as they deal with inclement weather, cheap hotels, a strip club, gambling at a Vegas casino, hitchhikers and a provocative book-on-disc. In between, Andy makes a series of awkward pitches to companies. My favorite scene involved Joyce scarfing down an enormous steak (size of a small poodle according to Andy) at a Texas eatery and attracting the attention of a handsome cowboy.

While I had hoped for more humor, I did enjoy Barbra Streisand’s performance in this short, 96-minute film. She still has that flair for comedic acting and she looks amazing, even in close-up.

Movie Review: Life of Pi

In Life of Pi, based on the Man Booker Prize winning novel by Yann Martel, a teenager and a Bengal tiger spend 227 days on a raft in the middle of the Pacific Ocean.

Like the book, the film is divided into three segments.

In the first segment, we are introduced to the central character, Pi Patel (Suraj Sharma). Growing up in Pondicherry, the French part of India, Pi enjoyed an idyllic life as the child of a zookeeper (Adil Hussain). An inquisitive and adventurous child, Pi dabbled in different faiths—Hinduism, Christianity, Islam—and played with the wild animals in his father’s zoo. Economic issues force the Patel family and their zoo animals to leave India and set sail for Canada. The Japanese freighter encounters rough seas and sinks near the Marinas Trench. The only survivors are Pi and four animals: a zebra, a hyena, an orangutan and a tiger.

During the second segment of the film, we watch as three of the animals are devoured by the tiger and Pi takes refuge in an improvised raft which is tethered to the lifeboat. To survive, Pi must forge an uneasy alliance with the Bengal tiger, aka Richard Parker. The special effects used to create Richard Parker are simply amazing. And director Ang Lee does not stop there. The scenes involving the flying fish and a whale exploding skyward from the ocean are equally impressive.

I found the film’s third segment anticlimactic. While Pi’s survival was never in question—he is the narrator of the film—there was no need to provide an “alternative” narrative from a hospital bed in Mexico. More film time could have been devoted to the Patel zoo, Pi’s budding romance in India or life in modern-day Canada.


Book Club Night

bookclubWhen I joined the book club, I didn’t expect to like all the selections. I welcomed the challenge of cross-reading and hoped to discover books I would not normally pick up on my own.

This month’s selection, however, disappointed me. In fact, I was unable to finish reading it. Among the other members, three enjoyed it immensely, two had lukewarm reviews and one other woman read only half of it.

The discussion was a lively one. The fans of the book praised the author’s use of dialect and enjoyed the references to jazz music, while the rest of us found the German-American slang tiresome and thought some of the characters were not fleshed out enough.

The book, in question: Half-Blood Blues by Esi Edugyan. Winner of the 2011 Scotiabank Giller Prize. Man Booker Prize Finalist 2011. Shortlisted for the Governor General’s Literary Award for Fiction.

The storyline is a compelling one.

In 1939, an interracial jazz band called the Hot Time Swingers has been forbidden to play in Berlin. After the Nazis deport the Jewish piano player, the other members—Chip, Sid, Hiero—flee to Paris. There, they meet and audition for Louis Armstrong. While at a café, Hiero is arrested. The young twenty-year old son of a French African solder and white German mother is considered a despised Rhineland bastard. And to make matters worse, he does not have a visa.

As the novel alternates between the war years and 1992, we learn more about the relationships between the three band mates: the pettiness, jealousies, treacheries and split-second decisions that cannot be taken back.

While I did not enjoy the book, I was fascinated by Esi Edugyan’s writing journey. Unable to find a publisher for her second novel, she considered abandoning writing and perhaps, studying law. But first, she accepted residencies in Iceland, Hungary, and France. While living in Germany, she immersed herself in the culture and was inspired to write Half-Blood Blues. It was first published in the United Kingdom and later picked up by Porter Books in in Canada. After that  publishing company closed its doors, her agent found a new home for the novel with Thomas Allen.