Replenishing My Inner Well

In 1992, I picked up a copy of The Artist’s Way by Julia Cameron. Hoping to inspire and motivate my inner writer, I spent an entire weekend devouring the book and then decided to incorporate morning pages and artist dates into my life.

That enthusiasm fizzled after only one week.

At the time, I was in the thick of my career and personal life. Busy with course preps, curriculum meetings, extra-curricular activities, and family health issues, I found myself unable to even consider adding one more activity to my schedule.

Continue reading on the Soul Mate Authors blog.


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Inspired by Dr. Ross Pennie

This past Saturday, I attended the “Writing Your Life & Other Personal Stories” workshop facilitated by Brian Henry in Guelph. A book editor and professor, Brian teaches creative writing at Ryerson University in Toronto and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John. You can find out more about Brian here.

In the morning session, Brian shared tips and techniques for writing creative non-fiction. In the afternoon, one of his star students—Dr. Ross Pennie—shared his fascinating writing journey.

A bit of history…

In 1977, at the age of twenty-five, Dr. Pennie set off for a two-year posting at a Catholic Mission on a remote island in the South Pacific. He spent his days dealing with tuberculosis, malaria and other infectious diseases. Evenings, he would read, write letters and update his diary.

At the end of his posting, he returned to Canada and spent the next twenty years working as an infectious-disease specialist and daydreaming about writing his memoirs.

Finally, he took action and signed up for creative writing courses and workshops. He also analyzed other memoirs, read books on writers’ craft, and joined a writing group. It took him two and a half years to complete The Unforgiving Tides, which was released in 2004.

The logline is a tantalizing one: A young doctor encounters mud, medicine, and magic on a remote South Pacific Island.

He then tried his hand at fiction and wrote the well-received Dr. Zol Szabo medical mysteries. The first of these, Tainted, came out in 2010 and won the Arts Hamilton Literary Award for Fiction. He followed up with three more medical mysteries: Tampered, Up in Smoke, and Beneath the Wake.

After 39 years of working as an intensive-care pediatrician and infectious-diseases specialist at McMaster and Brantford General Hospital, Ross retired.

But he is not retired from writing.

In a 2017 interview with Hamilton News, he shared his love of the creative process: “I love spending time with the characters. They seem very real … it’s almost as though they live with us. I also find writing meditative. I enjoy being on my own, so there is a meditative and reflective aspect to it.”

At Saturday’s workshop, Ross shared practical advice about the memoir process.

Here are ten nuggets that resonated with me:

• Dribble the dry facts gradually into your story so that any one page is not filled with a laundry list of details. Do not confuse the reader with too many characters and too much technical jargon.

• Keep the narrator humble, vulnerable, embarrassed, noble, quirky, smart, but never arrogant.

• Leave yourself open to memories that bubble up unexpectedly.

• Exaggerate your deficiencies. (You will probably be telling it like it is!)

• Imagine that your mother and Grade 8 teacher are never going to read your memoir. This leaves you free to add healthy naughtiness. Some examples of healthy naughtiness include embarrassing situations, swear words, family secrets, petty criminal acts, and sexual encounters.

• Break grammar rules with pizzaz. But first, learn the grammar rules.

• Show the action and dialogue up close. Don’t just talk about it from a distance.

• Punctuate your stories with newsworthy events. Make a dated list of earth-shattering events that occurred during the period of the memoir such as wars, elections, assassinations, and natural disasters. Include some of these events in the memoir.

• Write frankly without bitterness.

• And most important of all … Persistence Writes the Memoir.

Find more about Dr. Ross Pennie here.


The Right Opening

Have you ever experienced the tyranny of the blank page?

If you’re nodding in agreement, you are in good company. In fact, I believe every author—from beginner to published—has experienced those feelings of doubt and apprehension, especially at the start of a new manuscript. That’s when the gremlin thoughts are most powerful.

In this post, I will offer several suggestions on how to squash those gremlins and start writing the first page of your next manuscript.

Continue reading on the Just Romantic Suspense blog.


14 Tips from Stephen King

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

Here are 14 tips, distilled from Stephen King’s book On Writing: A Memoir of the Craft, a must-read for all writers and wannabe writers.



Lisa See Visits Kitchener

Yesterday, I attended “An Evening with Lisa See” at the central branch of the Kitchener Public Library. This 85 Queen Event was well attended by fans of the best-selling author of On Cold Mountain, Flower Net, The Interior, Dragon Bones, Snow Flower and the Secret Fan, Peony in Love, Shanghai Girls, and The Tea Girl of Hummingbird Lane.

Lisa See’s latest novel, The Island of Sea Women, was released earlier this month.

Kitchener reader, blogger, and dedicated volunteer Lizz DiCesare joined Lisa for an armchair conversation.

After announcing that she didn’t plan to read aloud, Lisa launched into the back story behind The Island of Sea Women.

Ten years ago, Lisa was sitting in the waiting room of a doctor’s office when she came across a short article about the haenyeo, female divers on Jeju Island off the South Korean coast. She ripped the page from the magazine and took it home.

After eight years of thinking about a possible story, she experienced a sense of urgency. Realizing that the work tradition would die within fifteen years, she decided to spend two years researching and writing the book.

While visiting Jeju Island, Lisa had a “full senses immersion” into the culture. She interviewed women in their 70s, 80s, and 90s and collected anecdotes about the matrifocal society of the island.

For generations, women divers supported their families by free-diving deep into the ocean to harvest its bounty. They possessed the abilities to hold their breaths for prolonged periods and withstand cold temperatures. Their husbands stayed home to raise the children and do menial chores.

Having read several of Lisa’s novels, I am familiar with her extraordinary attention to detail and focus on female relationships. She has always been intrigued by stories that have been lost, forgotten, or deliberately covered up.

The Island of Sea Women is sitting on my nightstand…I can’t wait to start reading!


More Advice from Gail Bowen

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

In one of last month’s G.O.T.H. posts, I shared an excerpt from Sleuth, the latest release from Canadian mystery author Gail Bowen. This informative and entertaining guide provides excellent advice for writers of all genres.

In the Editing chapter, Ms. Bowen adds the following insights to “expert” rules:

1. “Vigorous writing is concise” (William Strunk Jr.). Strunk and White’s The Elements of Style will always be a writer’s best friend. Be concise; be concrete. Cut until you can cut no more. Almost every piece of writing can be improved if you cut it by a third.

2. “Try to leave out the parts people skip” (Elmore Leonard). Deep-six your prologue. The material there is generally back story and can be worked in later. Your first task is to bring your reader into the world of your novel; start the action and write an opening that will keep your reader reading.

3. “Using Adverbs is a mortal sin” (Elmore Leonard). British writer Esther Freud’s advice is even more draconian. Freud instructs writers to cut out all metaphors and similes. I’m with Leonard on adverbs, but when it comes to metaphors and similes I’ve been known to indulge myself. I always feel terrible the next morning, but nobody’s perfect.

4. “Substitute ‘damn’ every time you’re inclined to write ‘very.’ Your editor will delete it and the writing will be just as it should be” (Mark Twain). Amen!

5. Don’t explain too much. Give your readers credit. Allow them to be come part of the creative process. If you’ve done your work as a writer, then your readers will do the rest.

6. Read aloud passages in your novel you suspect might be problematic. If there is a problem, then rereading the passage aloud will reveal it.

7. January 24th is the feast day of Francis de Sales, the patron saint of writers and journalists. I understand he’s available 24/7.

8. Enjoy the ride. Ann Patchett says, “Writing is a job, a talent, but it’s also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.” Most people have to say goodbye to their imaginary friends when they start kindergarten; writers get to keep their imaginary friends forever.

9. Ray Bradbury says the most important items in a writer’s make-up are zest and gusto. I agree. If you can’t imagine your life without writing, then you’re a real writer. Stay the course.

Source: Sleuth by Gail Bowen, pp. 142-143.


Ending on the Right Note

Last summer, I read several books with unsatisfying endings. In one case, I wondered if the novel had been worth my time and attention. The author had started with a compelling opening, the characters were well-developed, and each chapter ended on a suspenseful note.

Where did she go wrong?

Continue reading on the Sisterhood of Suspense blog.