On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

In A Year of Writing Dangerously, author and teacher Barbara Abercrombie shares anecdotes, insights, and solutions. Here’s a thought-provoking excerpt:

No one has to be patient anymore. We can publish books right from our computers. We can get messages anywhere, anytime. We can have whole libraries of books instantly zapped to whatever our latest gadget is, or a complete film festival delivered at the click of a button. We can plug ourselves directly into our music without bothering with CDs. We never, ever have to be bored, subjected to silence, or deal with our inner life.

But no matter how fast the world zips along, no matter how much fun there is to be had, the fact remains that writing takes time. To write takes dreaming and remembering and thinking and imagining—and very often what feels like wasting time. It takes silence and solitude. It takes being okay with making a huge mess and not knowing what you’re doing. Then it takes rewriting and struggling to find your story and the truth of the story, and then the meaning of the story. It takes being comfortable with your own doubts and fears and questions. And there’s just no fast and easy way around it.

Source: A Year of Writing Dangerously p.12

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

On Fridays, I receive Hope Clark’s newsletter, Funds for Writers. Here’s a thought-provoking essay from a recent email:

You know the song. The one with the lyric, “Dance like nobody’s watching.” You get the meaning. Let yourself be the real you.

You know how you are in the car, alone, when the perfect song you sang to in high school comes on the radio. You belt it out, maybe even attempting harmony.

But when we post our writing online, we do so with the idea that someone is waiting to judge. Suddenly we become more homogenized with the others hanging out there, like ourselves, who are weighing what to say so that the audience likes us. We debate with ourselves on how to write something that will garner applause so that we fit in better.

We don’t want to run the risk of being too different. We often dumb ourselves down, when the crying shame is that there is a uniquely different person behind that screen, behind that pen, behind that keyboard.

The world is crying for sincerity.

The world thirsts for people who are themselves.

That’s not saying everyone should be their weirdest self. Just that they ought to be true to themselves, and that includes in writing.

We too often want to know what’s selling, what’s remarkable, what’s garnering the most likes before we put our own words down, when in fact we ought to do the opposite.

Somebody wrote the first vampire story. Somebody wrote the first sci-fi tale. Somebody dared take fairy tales and turn them into epics of wild creatures on human quests. Write like nobody will ever read it. Dare to bare on the page. Edit, for sure, but get the real you down first and see what remarkable material has been locked away in your brain for far too long.

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On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

I highly recommend Courage & Craft: Writing Your Life Into Story by author and teacher Barbara Abercrombie. In this clear and insightful book, Barbara shares the nuts and bolts of writing essays, memoirs, poems, and fiction. Here’s an inspiring excerpt from the Introduction:

Whatever it is you want to write, it’ll begin with you sitting down and opening a notebook or a new computer file. There will be no bolts of lightning, no muse floating overhead to tell you that the moment has arrived, that now is the time to write your story. Your parents, your spouse, your girlfriend, your boyfriend, your kids will not announce out of the blue that you have talent and beg you to begin writing immediately. You will always, always teeter between believing you have all these wonderful stories to write and worrying that the wonderful stories will not be very interesting. Nor will your life be in such pristine order that there will be endless worry-free hours in which to write.

You can sit around for the rest of your life dreaming about writing your stories, longing to bear witness on the page to every amazing thing you’ve seen or lived through, and wishing for a message from above, that bolt of lightning, some signal that will let you know now is the time to start being creative. Or you can just buy a notebook or turn on the computer and begin writing.

It’s that simple and that complicated.

Source: Courage & Craft by Barbara Abercrombie, pp. xiv-xv

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

On Fridays, I receive Hope Clark’s newsletter, Funds for Writers. Here’s a thought-provoking essay from a recent email:

“When a measure becomes a target, it ceases to be a good measure.” – British economist Charles Goodhart (Goodhart’s law)

This quote says that basically, when you set a goal, and you become hard focused in meeting that goal, you can easily forget what drove you to set the goal in the first place. The measure, so to speak, becomes the details in the goals instead of the original mission.

Metrics, for instance. When you set goals in terms of hours, dollars, sales, hits, reviews, and followers, and that’s what you get up in the morning to which to give your attention, you begin chasing the metrics. Your original goal turns murky.

In another instance, you may notice what’s popular and think, I can do that. That applies not just to books but also to short pieces, even journalism. You see what is getting attention, say on sites like Medium.com or popular blogs. Or in terms of books, you see the best-selling genres and shift gears to write those instead of what you originally started writing.

You are chasing success. You are trying to find the easier road, or at least the road someone else has cut out ahead of you.

My first mystery series is The Carolina Slade Mysteries. Many New York agents replied saying nobody wanted to read about an amateur sleuth like her, especially from the South, especially rural. Good writing, they said, but they didn’t like the protagonist enough nor her setting. I, however, loved her. I developed her, fleshed her out, and eventually I sold her, quickly learning that strong female mystery protagonists were my thing.

I’m so glad I didn’t detour and write about vampires.

Sign up to receive Hope Clark’s newsletter here.

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

In A Year of Writing Dangerously, author and teacher Barbara Abercrombie shares anecdotes, insights, and solutions. Here’s one of my favorite stories:

Let’s say you’re growing tomatoes. Some of you will keep a very tidy garden, and you’ll secure your plants on poles with little wire twists, feed and water your tomatoes regularly, and be alert for pests who want to eat them. Finally, one warm summer day, you’ll harvest some delicious tomatoes.

Others of you will not be so tidy, and things might get out of control. Maybe your vines will creep where they’re not supposed to, the poles will collapse, a few evil green worms will appear and scare the daylights out of you, and you’ll have a tomato jungle on your hands. But tomato plants are hardy, and one warm summer day, you’ll harvest some delicious tomatoes.

This is not unlike writing stories. Stories don’t die easily, and we all go about writing them in our own way.

Source: A Year of Writing Dangerously, p.220

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

In a recent post on the Writer Unboxed blog, author Jan O’Hara shared the following advice:

When we put a story out in the world, we are competing for attention with intrinsically compulsive media in a boundless landscape of fiction.

We are also competing with our own readers’ sophisticated imaginations. Readers understand story structure, if only at an intuitive level. They perceive the value of high stakes. They thirst for deep themes. And we must respect their skills and strive to be at our best, else our story will be overlooked for superior fan art.

Whether in outlining or in revision, at some point we must ask ourselves the following:

Do our characters want something meaningful?

On the path to their goals, do they face true opposition?

Will there be significant consequences if they fail?

If we can’t honestly say yes to the above, it’s time to dig deeper, using whatever tools best speak to our inner craftsperson, whether that means books or conferences, critique partners or beta readers, editors and agents—or all the above.

This is what it means to respect our audience. This is what it means to grow our skills. This is where our gratifying challenge lies—if we’ll but accept it.

Source: Writer Unboxed

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

On Fridays, I receive Hope Clark’s newsletter, Funds for Writers. Here’s a thought-provoking essay from a recent email:

Steven Pressfield (the author of The War of Art) speaks about the difficulty of pushing through and reaching THE END of whatever you are writing. It could be a poetry chapbook. It could be a memoir. It could be fiction of any genre or any word count. It could be a how-to on cabinetmaking or a children’s picture book. A lot of writers struggle with perfecting an effort and reaching THE END.

Why? Because that is the point where you let others read it . . . and get feedback. That is when you submit for publication . . . and get feedback. The feedback is the thrill and the agony of writing, and sometimes we feel safer just saying we’re still writing it, because that is the world in which we feel safest.

What are we afraid of?

-Being told it’s just okay. Or worse, that it’s bad, but frankly, once we hear it’s okay the meaning is the same.

-Prematurely releasing your darling in the world. But who’s to say when it’s premature?

-Learning after all that time invested that we really do not know what we are doing. It’s called being a phony.

Look across social media. When an author talks about typing THE END, or submitting to the publisher, or having a release date, a lot of the public admire first and foremost the fact that the author got to that point. You think it. I think it. Everyone thinks it.

There’s a reason that authors continually get asked the questions: “What is your work regimen?” and “Where do you get your ideas?” Successful freelancers get asked similar questions. The basic underlying question is “How do you make it all the way through . . . then do it again?”

It’s magic. It’s a genetic gift. It’s a unique upbringing.

No, it’s deciding to follow-through. And nothing on this earth gets in your way in doing this but you.

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