While this film has received less-than-glowing reviews, it does deliver a positive message about aging: It’s never too late to follow your dreams.
From the start, we know that Martha (Diane Keaton) is preparing for her demise. She holds an estate sale to dispose of 40+ years of possessions, packs what remains in a suitcase and a box, cancels her chemotherapy appointments, and drives to a retirement community in sunny Georgia.
Upon arrival, Martha realizes that the Sun Springs Retirement Community may not be the best fit for her introverted nature. Everything from flamboyant seniors riding in golf carts to annoying Southern Belles to the welcome sign—The time of your life for the rest of your life—annoys Martha.
Hoping to maintain a low profile, Martha is jolted out of self-imposed isolation by her nosy and noisy neighbor Sheryl (Jackie Weaver). With Sheryl’s help, Martha starts a cheerleading club and enlists six other women (Pam Grier, Rhea Perlman, Phyllis Somerville, Patricia French, Carol Sutton, and Ginny McColl). Their goal: Perform in the Community Variety Show.
Martha’s first challenge is a daunting one: Tailor the choreography to meet the myriad aches and pains of all the participants.
Second, deal with the antics of Miss Vicky (Celia Weston), the resident mean girl who is determined to curtail the rehearsal time of the club.
At this point, the film takes a bizarre twist. Sheryl arranges to use the gym at a local high school where she works as a substitute teacher. Unknown to the women, they will be rehearsing during a pep rally attended by all the students.
When their routine flops, it is recorded and goes viral on the Internet. Shamed and shut out of the Community Variety Show, Sheryl persuades the women to enter a real cheerleading contest in the “18-Plus” age category. With the help of Chloe (Alisha Boe), a “real” cheerleader, the eight women are transformed into a cohesive team.
A short, breezy film (91 minutes), Poms delivers many laughs as it celebrates the camaraderie of the women. I would have liked more details about their backstories. We are given only the skimpiest of information about Martha—retired teacher, no children, sick mother—revealed on photographs. Flashbacks with a younger Martha would have been more effective.
Definitely light fare.