Book Review: My Beloved World

soniasotomayorA dysfunctional home with an alcoholic father and an angry mother forced Sonia Sotomayor to grow up quickly. Throw in a diagnosis of Type 1 diabetes at age seven, “a culture that pushes boys out onto the streets while protecting girls,” and a neighborhood where stairwells were filled with muggers and addicts shooting up. Not the background you would expect for the first Hispanic justice and third female justice in the Supreme Court’s 220-year history.

In her memoir, My Beloved World, Sotomayor reflects on her childhood as the daughter of Puerto Rican parents, her education, her relationships, and her brilliant career.

The self-discipline and perseverance began at a very early age. Faced with a life-threatening disease, a working mother and a father with trembling hands, Sotomayor started giving herself insulin shots at age seven. This “existential independence” set the stage for a remarkable life journey with impressive stops at Princeton, Yale Law, the Manhattan district attorney’s office, and an appointment to the bench.

Sotomayor, however, is quick to point out the obstacles and challenges along the way.

Realizing that she lacked the appropriate study skills in elementary school, she approached the smartest girl in the class and asked her how to study.  When she received a C on her first midterm paper at Princeton, she devoted each day’s lunch hour during subsequent summers to grammar exercises and learning ten new words. After a less than stellar performance at one of the top law firms in Manhattan, she trusted her instincts and applied for a job at the state department.

Unfortunately, this well-honed independence led to the break-up of her marriage to high school sweetheart, Kevin Noonan. Her husband felt she didn’t really need him; Sotomayor didn’t think of “need as an essential part of love.” While she regrets the children she never had, she lavishes love and attention on her many godchildren.

Whenever Sotomayor entered any new environment, she experienced an initial period “of fevered insecurity, a reflexive terror that I’ll fall flat on my face.” But the love and protection of her grandmother Abuelita allowed her “to imagine the most improbable of possibilities” and her mother  taught her that “a surplus of effort could overcome a deficit of confidence.”

Throughout the book, it is evident that Justice Sonia Sotomayor has a deep and sincere love for the “beloved world” that shaped her values. In sharing many of the darker experiences, she has succeeded in showing everyone, especially people in difficult circumstances, that happy endings are possible.

Movie Review: Lincoln

It is not surprising that Daniel Day-Lewis won the Golden Globe and SAG awards for best actor. And I wouldn’t be too surprised if he also won an Oscar for his outstanding portrayal of Abraham Lincoln. He doesn’t just look like Lincoln; he immerses himself and becomes Lincoln. He dominates every scene of the film, displaying the many aspects of the former president’s character. While the folksy storytelling provides the humor, the cagey politicking demonstrates a different aspect of the former president, one not usually portrayed in films.

Director Steven Spielberg confined the main story to a one-month period: January 1865, the beginning of Lincoln’s second term. He wants the 13th Amendment to the Constitution, abolishing slavery, passed in the House of Representatives, and he wants it passed right away. An ambitious plan, Lincoln refuses to be deterred by advisors who deem it impossible given the current makeup of the house.

Most of the scenes in the movie involve politicians sitting or standing in rooms while arguing. While some of these scenes were necessary to demonstrate the process, I felt there were too many of them. I would have preferred more scenes of Lincoln with his wife (Sally Field) and oldest son (Joseph Gordon-Levitt).

The stellar cast also included Tommy Lee Jones as visionary Congressman Thaddeus Stevens. Another Oscar-worthy performance. In her supporting role, Sally Field delivered an outstanding performance as the volatile Mary Todd Lincoln.

Book Review: The Housemaid’s Daughter

housemaidFatherless and unschooled, Ada grows up in service to the Harringtons, a family of Irish immigrants in the remote South African town of Craddock. In spite of her circumstances, Ada receives a well-rounded education from her Madam, Cathleen Harrington. Impressed by the young girl’s intelligence, Cathleen teaches Ada how to read, write and play the piano.

But not everyone is comfortable with Ada’s privileged position in the household. When Cathleen suggests enrolling Ada in school, Master Edward discourages her. “It’ll only lead to trouble later on, expectations and whatnot.”

Spoiled and self-absorbed Miss Rose treats Ada shabbily and refuses to answer any of her questions. “I don’t have time to explain. You haven’t any money so you probably don’t need to learn to count.”

On the other hand, young Master Phil has feelings for Ada and is not afraid to walk with her in town or hug her at the train station.

After Miriam, Ada’s mother, dies and Rose heads for the bright lights of Johannesburg, Ada and Cathleen gravitate toward each other. As this unlikely friendship blossoms, rumblings of apartheid begin to divide the small community. A set of unfortunate circumstances force Ada to leave the only home she has ever known.

A natural storyteller, Barbara Mutch has a wonderful eye for detail and a gift for creating a strong sense of place. I particularly enjoyed reading  the following description of the Great Flood: “At first it was a brisk eddy, then a howl of demented water that went way beyond the Beethoven rush of my youth, or the tumbling Grieg of Mrs. Cath’s Irish stream. This flood had no musical equivalent, and it raged at a pitch both higher and lower than anything I’d ever heard on the piano.”

In her debut novel, Barbara Mutch has provided an interesting perspective on the apartheid era, focusing on how it affected women on both sides of that huge divide in South African society.

Movie Review: Silver Linings Playbook

Silver Linings Playbook is a different kind of romantic comedy. While addressing the challenges faced by those diagnosed with the bipolar disorder, the film succeeds in treating a very serious subject with humor.

When the film opens, Pat Solitano Jr. (Bradley Cooper) is standing in the corner of his room in a Baltimore mental hospital, talking to himself. His mother (Jacki Weaver) shows up to sign him out, against doctors’ orders and without having consulted her husband (Robert DeNiro).

Thrown in the middle of Pat’s chaotic life, many questions come to mind: Why was Pat locked up for eight months? Why have his wife and former school obtained restraining orders against him? Why is Pat Sr. so obsessed with the Philadelphia Eagles football team?

My first impulse was to agree with the doctors. Pat Jr. refuses to take his medication, over-reacts to a song and demonstrates poor impulse control. After flinging a copy of A Farewell to Arms though a closed window at four o’clock in the morning, he awakens his parents with a maniacal rant against Ernest Hemingway. At a diner, he orders Raisin Bran so his female companion won’t think it’s a date.

Sparks fly when he meets Tiffany (Jennifer Lawrence), a grieving widow facing her own demons. Tiffany assumes he will be another sexual conquest, while Pat Jr. wishes only to reconnect with his wife. After agreeing to a deal with Tiffany, the two damaged souls learn to dance together in preparation for a ballroom competition.

I was most impressed by Jennifer Lawrence’s performance. It is not surprising that she won a Golden Globe and she is definitely a contender for an Oscar. Also nominated for both awards, Bradley Cooper captures the intensity and physicality of the bipolar Pat Jr. Robert DeNiro nails the character of a failing bookie with anger management problems and an intense OCD relationship with the Philadelphia Eagles.

A must-see film that is worthy of all the Golden Globe and Oscar nominations it has received.

Many Winding Roads to Success

winding roads

Whenever I need a strong dose of inspiration, I refer to the following story about one of the most prolific writers of our time.

A laundry worker, who lived in a trailer, earned $60 a week at his job while his wife worked night shifts. The man had a burning desire to be a writer and  spent his nights and weekends typing manuscripts to send to agents and publishers. Each one was rejected with a form letter that gave him no assurance that his manuscript had ever been read.

Finally, a warmer, more personal rejection letter came in the mail, stating that, although his work was not good enough to warrant publishing, he had promise as a writer and should keep writing.

He forwarded two more manuscripts to the same friendly publisher over the next eighteen months, and as before, he struck out with both of them. Finances got so tight that the young couple had to disconnect their telephone to pay for medicine for their baby.

Feeling totally discouraged, he threw his latest manuscript into the garbage. His wife, totally committed to his life goals and believing in his talent, took the manuscript out of the trash and sent it to Doubleday, the publisher who had sent the friendly rejections.

The book, titled Carrie, sold more than five million copies and, as a movie, became one of the top-grossing films in 1976.

The laundry worker was Stephen King.

Source: Stand and Deliver: How to Become a Masterful Communicator and Public Speaker (Dale Carnegie Training)

The Twelve Tribes of Hattie

hatti2The novel opens on a positive note.

Hattie Shepherd and her newborn twins, Philadelphia and Jubilee, are dozing in the shade on the porch.  The scene is an idyllic one. “The neighborhood rang with birdsong. The twittering lulled the twins to sleep and put Hattie in such high spirits that she giggled all the time.” The proud young mother was deeply in love with her first-born children and had given them “names of promise and of hope, reaching forward names, not looking back ones.”

Unfortunately, Hattie’s optimism is short-lived.

During a brutally cold Philadelphia winter, money is scarce and the furnace breaks down. Hattie struggles to keep her twins healthy, but they die of pneumonia. Hattie never recovers from this tragedy. She goes on to have nine more children, but fails to establish a strong, maternal bond with any of them.

In the remaining self-contained chapters that cover the years 1948 to 1980, author Ayana Mathis reveals the extent of Hattie’s grief through the eyes of her other children and a grandchild. Thrown in the middle of their lives, we watch as they wrestle with their inner demons.

We meet Floyd, a talented musician, who struggles with sexual confusion and shame.

Hattie’s son Six alternates between bouts of violence and Bible preaching.

We can feel Bell’s ambivalence toward her mother as she lies dying of tuberculosis in a run-down apartment. She actually fantasizes about her mother’s soup: “Hattie had kept them all alive with sheer will and collard greens and some southern remedies. Mean as the dickens, though.”

While Alice appears to be the most successful and upwardly mobile sibling, she cannot release memories of the childhood abuse that she and her brother Billups endured.

Bits and pieces of Hattie’s life emerge as each child’s life unfolds. We can feel her frustration and anguish as she wrestles with her husband’s womanizing and the circumstances surrounding the births of Ruthie and Ella.

At times, it was hard to keep track of all the characters. Personally, I would have preferred more depth and  the use of, at most, four different voices.  I found Hattie, Bell, Floyd and Six to be the most compelling of the characters. If  Ayana Mathis decides to continue this saga, I hope she considers writing Bell’s story.

Note: Oprah will have an exclusive television interview with Ayana Mathis on Super Soul Sunday–February 3rd at 11:00 a.m.

Movie Review: Arbitrage

Charismatic shark. Urban predator. Self-serving Wall Street bastard.

I was intrigued by the descriptions of New York hedge fund magnate Robert Miller (Richard Gere) that appeared in different reviews of Arbitrage. After watching the film, I agreed with all of them.

The morally bankrupt financier conducts his business and personal affairs with cool deliberation. When the film opens, Miller is rushing home to celebrate his 60th birthday at a family dinner. As he reigns over the table, he tosses out praise and promises, but his thoughts are elsewhere. Several hours later, he meets up with his mistress, French gallery owner Julie, who demands more of a commitment from him.

To appease Julie, Miller invites her to drive with him to his family’s weekend home. On the way, he falls asleep at the wheel and crashes the car, leaving the woman dead. Miller appears visibly upset, but we quickly learn that he is more concerned about how this mishap will affect his latest financial deal.

Having illegally borrowed more than $400 million to cover up a gaping hole in his company’s financial records, Miller awaits a federal audit and the decision of a tycoon (Graydon Carter). He asks Jimmy Grant (Nate Parker), a young man who feels beholden to Miller, to help him cover his tracks after the accident. Everything appears to be working to plan until a detective (Tim Roth) starts sniffing around.

Richard Gere delivers an award-winning performance that has already been recognized by the Golden Globes.  Throughout the film, he maintains that unflappable air of a man who can easily negotiate killer deals, ruin lives and make charitable donations.

An excellent film made even more compelling by the ambiguous ending.

Book Review: A Week in Winter

week3This is the last time Maeve Binchy will enchant us with her writing.

Set in a bed and breakfast on the Irish coast, A Week in Winter follows the lives of innkeeper Chicky Starr, her niece Orla, family friend Rigger and a group of strangers who find their way to Stone House. Binchy has given each character a separate chapter, allowing the reader to discover their back stories.

Each evening, I found myself curling up with a different character and reading with anticipation as Binchy applied her familiar formula. She once said, “I don’t have ugly ducklings turning into swans in my stories. I have ugly ducklings turning into confident ducks.”

I was most fascinated by Chicky Starr. After surviving a disastrous love affair, she concocted a fantasy about her life in New York and kept the fantasy alive for two decades. When she returned to Stoneybridge, she purchased a dilapidated estate and, against all odds, turned it into a successful small hotel.

The colorful cast of characters include the following…

Thirty-four-year-old Winnie has found her soul mate but must deal with his overbearing mother.

Corry, an aging movie star, must learn how to embrace and share his fame.

Two married doctors, Henry and Nicola, are still grieving several unfortunate deaths while yearning for a child.

Anders, a Swiss accountant, has abandoned his passion for music and the only woman he ever loved to please his father.

Nell Howe, a retired school principal, faces a bleak and lonely life.

Freda, the librarian, must learn to accept and value her psychic abilities.

The Walls, a married couple, struggle with their second-place win: a week at Stone House.

An impressive collection of linked short stories that can be easily described as a Maeve Binchy’s final tribute to Irish family life. Excellent reading, especially on cold, blustery January days.