On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

I highly recommend Courage & Craft: Writing Your Life Into Story by author and teacher Barbara Abercrombie. In this clear and insightful book, Barbara shares the nuts and bolts of writing essays, memoirs, poems, and fiction. Here’s an inspiring excerpt from the Introduction:

Whatever it is you want to write, it’ll begin with you sitting down and opening a notebook or a new computer file. There will be no bolts of lightning, no muse floating overhead to tell you that the moment has arrived, that now is the time to write your story. Your parents, your spouse, your girlfriend, your boyfriend, your kids will not announce out of the blue that you have talent and beg you to begin writing immediately. You will always, always teeter between believing you have all these wonderful stories to write and worrying that the wonderful stories will not be very interesting. Nor will your life be in such pristine order that there will be endless worry-free hours in which to write.

You can sit around for the rest of your life dreaming about writing your stories, longing to bear witness on the page to every amazing thing you’ve seen or lived through, and wishing for a message from above, that bolt of lightning, some signal that will let you know now is the time to start being creative. Or you can just buy a notebook or turn on the computer and begin writing.

It’s that simple and that complicated.

Source: Courage & Craft by Barbara Abercrombie, pp. xiv-xv

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

On Fridays, I receive Hope Clark’s newsletter, Funds for Writers. Here’s a thought-provoking essay from a recent email:

“When a measure becomes a target, it ceases to be a good measure.” – British economist Charles Goodhart (Goodhart’s law)

This quote says that basically, when you set a goal, and you become hard focused in meeting that goal, you can easily forget what drove you to set the goal in the first place. The measure, so to speak, becomes the details in the goals instead of the original mission.

Metrics, for instance. When you set goals in terms of hours, dollars, sales, hits, reviews, and followers, and that’s what you get up in the morning to which to give your attention, you begin chasing the metrics. Your original goal turns murky.

In another instance, you may notice what’s popular and think, I can do that. That applies not just to books but also to short pieces, even journalism. You see what is getting attention, say on sites like Medium.com or popular blogs. Or in terms of books, you see the best-selling genres and shift gears to write those instead of what you originally started writing.

You are chasing success. You are trying to find the easier road, or at least the road someone else has cut out ahead of you.

My first mystery series is The Carolina Slade Mysteries. Many New York agents replied saying nobody wanted to read about an amateur sleuth like her, especially from the South, especially rural. Good writing, they said, but they didn’t like the protagonist enough nor her setting. I, however, loved her. I developed her, fleshed her out, and eventually I sold her, quickly learning that strong female mystery protagonists were my thing.

I’m so glad I didn’t detour and write about vampires.

Sign up to receive Hope Clark’s newsletter here.

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

In A Year of Writing Dangerously, author and teacher Barbara Abercrombie shares anecdotes, insights, and solutions. Here’s one of my favorite stories:

Let’s say you’re growing tomatoes. Some of you will keep a very tidy garden, and you’ll secure your plants on poles with little wire twists, feed and water your tomatoes regularly, and be alert for pests who want to eat them. Finally, one warm summer day, you’ll harvest some delicious tomatoes.

Others of you will not be so tidy, and things might get out of control. Maybe your vines will creep where they’re not supposed to, the poles will collapse, a few evil green worms will appear and scare the daylights out of you, and you’ll have a tomato jungle on your hands. But tomato plants are hardy, and one warm summer day, you’ll harvest some delicious tomatoes.

This is not unlike writing stories. Stories don’t die easily, and we all go about writing them in our own way.

Source: A Year of Writing Dangerously, p.220

On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.

In a recent post on the Writer Unboxed blog, author Jan O’Hara shared the following advice:

When we put a story out in the world, we are competing for attention with intrinsically compulsive media in a boundless landscape of fiction.

We are also competing with our own readers’ sophisticated imaginations. Readers understand story structure, if only at an intuitive level. They perceive the value of high stakes. They thirst for deep themes. And we must respect their skills and strive to be at our best, else our story will be overlooked for superior fan art.

Whether in outlining or in revision, at some point we must ask ourselves the following:

Do our characters want something meaningful?

On the path to their goals, do they face true opposition?

Will there be significant consequences if they fail?

If we can’t honestly say yes to the above, it’s time to dig deeper, using whatever tools best speak to our inner craftsperson, whether that means books or conferences, critique partners or beta readers, editors and agents—or all the above.

This is what it means to respect our audience. This is what it means to grow our skills. This is where our gratifying challenge lies—if we’ll but accept it.

Source: Writer Unboxed