It’s my ninth Wednesday on tour with Goddess Fish.
Stop by and visit for a while. Enter the Rafflecopter giveaway and qualify to win a $25 Amazon gift card.
Today’s stop – Dena Garson’s blog
It’s my ninth Wednesday on tour with Goddess Fish.
Stop by and visit for a while. Enter the Rafflecopter giveaway and qualify to win a $25 Amazon gift card.
Today’s stop – Dena Garson’s blog
Today, I’m live on Stephen Campbell’s Crime Fiction Podcast.
We’re chatting about my writing journey, food, NaNoWriMo, fantasy hen lit, cozy mysteries, and A Season for Killing Blondes.
You can listen here.
I’m visiting with Sharon Bell Buchbinder and chatting about my writing journey and A Season for Killing Blondes.
If you have a few minutes, drop by her blog.
It’s my eighth Wednesday on tour with Goddess Fish.
Stop by and visit for a while. Enter the Rafflecopter giveaway and qualify to win a $25 Amazon gift card.
Today’s stop – Rachel Brimble’s blog
On May 27, 2012, Discovery’s Animal Planet channel aired Mermaids: The Body Found. The documentary featured video of a mermaid sighting in the Greenland Sea and an exclusive interview with former NOAA (National Oceanic and Atmospheric Administration) scientist Dr. Paul Robertson.
The show followed a scientific team’s investigative efforts to uncover the source behind mysterious underwater recordings. It opened with video footage of a mermaid perched on a rock. Later in the program, a webbed hand touches the observation window of a submersible craft manned by a team of deep sea divers. As the creature swims away, the divers catch glimpses of an alien-like face.
The program attracted the network’s biggest audience in its history: 1.9 million viewers.
A sequel broadcast, Mermaids: The New Evidence, aired May 26, 2013 and reached a record 3.6 million viewers. Its popularity drove the network to the number one slot in the key demographic among 25-to-54-year-olds. After the broadcast, over 1.5 million streams of mermaid-related video surfaced online.
But not all is as it seems.
Both documentaries are hoaxes. In the closing credits, disclaimers flash briefly claiming the programs are hoaxes. Actors played the part of scientists and all video was digitally manufactured. NOAA released the following statement on their website: “Mermaids: The New Evidence is just entertainment. No evidence of aquatic humanoids has ever been found.”
While some viewers were amused, many felt the network should have admitted the programs were speculative science fiction from the start. When confronted, Executive Producer Charlie Foley countered: “We wanted people to approach the story with a sense of possibility and a sense of wonder. Hopefully, that’s what Mermaids allowed viewers to do…allowed them to suspend their disbelief.”
Whenever I’m feeling a bit stressed or overwhelmed with circumstances beyond my control, I recall the following Zen parable.
You are at the grand opening of a new shopping mall on the edge of town. You’ve been driving around looking for a parking space for ten minutes. At last, right in front of you, a car pulls out of a spot. You hit your turn signal and wait as the car backs out. Suddenly, from the other direction, comes a Jeep that pulls into the space. Not only that, but when you honk, the driver gets out, smirks, and gives you the finger.
Are you angry?
Now change the scene ever so slightly. Instead of a brash Jeep driver, a cow walks into the space from the other direction and settles down in the middle of it. When you honk, she looks up and moos but doesn’t budge.
Are you angry?
Source: The Cow in the Parking Lot: A Zen Approach to Overcoming Anger by Leonard Scheff and Susan Edmiston (Amazon link)
It’s my seventh Wednesday on tour with Goddess Fish.
Stop by and visit for a while. Enter the Rafflecopter giveaway and qualify to win a $25 Amazon gift card.
Today’s stop – Unabridged Andra
I like to compare the making of this film to the story of The Little Engine That Could.
When producer Brian Grazer pitched the film, he was repeatedly turned down. At the time, Warner Brothers had lined up Warren Beatty to play the star in another mermaid movie. To sweeten a prospective deal with Walt Disney Productions, director Ron Howard promised to film Splash quickly and cheaply.
Howard kept his promise and produced the film on an $8 million budget. Principal photography began on March 1, 1983 and was completed by June 30, 1983.
Splash grossed $6,174,059 in its opening weekend and finished its domestic run with $69,821,334, making it the tenth highest-grossing film of 1984.
As for the film starring Warren Beatty…it eventually fell through.
Here are 10 interesting facts about this popular film:
1. Jeff Bridges, Chevy Chase, Richard Gere, Kevin Kline, Bill Murray, and John Travolta were considered for the lead role before the producers decided upon Tom Hanks.
2. Daryl Hannah was Producers’ Choice #11. Tatum O’Neal, Michelle Pfeiffer, Lynne Frederick, Julia Louis-Dreyfus, Genie Francis, Melanie Griffith, Fiona Fullerton, Diane Lane, Kathleen Turner, and Sharon Stone turned down the part of Madison.
3. The beach where Tom Hanks first encounters the nude mermaid is on the former Gorda Cay in the Bahamas.
4. During childhood, Daryl Hannah swam “mermaid” style with her legs bound together.
5. The elaborately designed mermaid tail by Academy Award-winning visual effects artist Robert Short was fully functional, allowing Daryl to swim so fast her safety team could not keep pace with her.
6. The mermaid tail had to be glued onto Daryl before being hand painted, a detailed process that took eight hours. To avoid using the bathroom, Daryl ate and drank very little. She stayed in her water tank and accepted bits of food thrown by the cast and crew.
7. Unfortunately, the tail decomposed very quickly after the movie’s release. Despite its decomposed state, it was put on display in a glass showcase at Planet Hollywood in Orlando, Florida.
8. The name “Madison” rose in popularity soon after the release of Splash. In 1990, it was the 216th most popular name for girls. Five years later, it rose to #29 and by 2000 had become the third most popular female name in the United States.
9. Well received by critics, Splash earned a 92% “Fresh” rating from the website Rotten Tomatoes.
10. Over three decades later, Daryl is still recognized by fans (many of whom have been named after her character Madison) of the 1984 romantic comedy.
Welcome to my Second Acts Series!
Today, we have Canadian author Judy Penz Sheluk sharing insights from her multi-act life and introducing her debut novel, The Hanged Man’s Noose.
Here’s Judy!
Act One: Childhood Dreams
I can remember reading Emily Climbs by L.M. Montgomery when I was about eight. It’s the story of Emily Starr of New Moon, Prince Edward Island, and her quest to become a writer/journalist. I remember thinking, “That’s what I want to be when I grow up. I want to be a writer.”
It wasn’t outside of the realm of possibility. I was an avid reader from an early age (my main fare was Nancy Drew; in high school I graduated to Agatha Christie, Ngaio Marsh, and John D. MacDonald. I had good marks in English. I had a plan. Even better, I had a dream.
Act Two: Credit and Collections
The plan changed. Instead of going to school to study journalism, I went to work in the credit department of a major insurance company and took college night classes in business administration and accounting. I worked my way up the corporate ladder, becoming the youngest Division Credit Manager in the company’s history. I still thought about writing, emphasis on thought. I didn’t actually do any writing—unless you count composing collection letters as writing.
I didn’t stay with that insurance company (I wanted to move back to Toronto), but I did stay in the Credit and Collections field, going from company to company as the recession hit and middle management jobs were “right-sized.” I eventually landed at a company two miles from my house. The commute was great. The job was mind-numbingly boring. I started thinking about writing again.
Act Three: Creative Writing Courses
My husband, Mike, bought me a PC and enrolled me in an online Creative Writing school. I whizzed through the 20 course units. Entered and won first prize in a writing contest for beginning writers. Sold a magazine feature article for the princely sum of $75.
That’s when fate intervened. The day I received the check for $75 I received the news that my mind-numbingly boring job was being made redundant. I thought about the job-hopping over the past ten years and I knew I just couldn’t do it any longer.
Mike encouraged me to try freelance writing for a year. If I could earn something—not what I had been earning but at least enough to put food on the table—we’d look at year two.
That was May 2003. I’ve never looked back.
Act Four: Finding Fiction
My freelance writing career took off in leaps and bounds. Before long I was writing regularly for AntiqueWeek, Antique Trader, New England Antiques Journal, Antiques and Collectibles Showcase Canada. Worried I’d be pigeon-holed into writing only for the antiques market, I attended a home building conference in Toronto and landed a few freelance assignments for a handful of home building associations, including Ontario Home Builder and Home Builder Canada. I specialized in “green” building and energy efficiency. Those led to some features in other trade publications. Before long I was writing about farming innovations (I grew up in Toronto, Canada), travel in Manitoba (have never been there) and a host of other things.
In 2007, I was offered the position of Senior Editor for New England Antiques Journal (www.antiquesjournal.com), a job I still have and love. In 2009, I was offered the position of Editor for Home Builder Canada (www.homebuildercanada.com). That took some thought. It would mean giving up some of the freelance work. Then again, it was a sure thing. I accepted the job and continue with it to this day. The bonus of both these gigs is that I work from home and can work my own hours. As long as the work gets done, no one cares WHEN it gets done.
Along the way, I kept taking creative writing courses, both online and in workshop format. I wrote a few short stories, mostly bad, managed to get a couple published. But there was nothing of consequence. And then on Christmas Eve, 2012, I had an ah-ha moment. If I didn’t start writing my novel, it would never get written.
Act Five
With time off between Christmas and New Year’s from all my jobs, the time was right. I started writing The Hanged Man’s Noose on Christmas Eve 2012 and wrote seven days a week until I finished the first draft a few months later. I used to joke that if I was a plumber in my day job it might have been easier. After all, at the end of the day, a plumber (or whatever the job is) looks upon writing as an escape. I went from writing to writing. And yet, The Hanged Man’s Noose was an escape. The world and the characters I created became real to me, and I couldn’t wait to revisit them.
It took the help of a developmental editor and a copyeditor, along with two beta readers to get The Hanged Man’s Noose to the point where it was worthy of sending out for publication. Yes, the editors cost me, but I looked upon the expense as another creative writing course, and the investment was worth every penny. Not only did I polish up the manuscript, I learned what to do (and not do) for the future.
It wasn’t easy, but I landed a contract with Barking Rain Press in July 2014. More editing (this time paid for by the publisher) and in July 2015, The Hanged Man’s Noose was released to the world. You can read all about my publishing journey on my blog. Simply click on the archives, select One Writer’s Journey, and the subhead My Publishing Journey. Start at the beginning, if you dare. It’s all there, the hopes, the dreams, the cheers, the tears…
Blurb
Small-town secrets and subterfuge lead to murder in this fast-moving, deftly written tale of high-stakes real estate wrangling gone amok.
Journalist Emily Garland lands a plum assignment as the editor of a niche magazine based in Lount’s Landing, a small town named after a colorful 19th century Canadian traitor. As she interviews the local business owners for the magazine, Emily quickly learns that many people are unhappy with real estate mogul Garrett Stonehaven’s plans to convert an old schoolhouse into a mega-box store. At the top of that list is Arabella Carpenter, the outspoken owner of an antiques shop, who will do just about anything to preserve the integrity of the town’s historic Main Street.
But Arabella is not alone in her opposition. Before long, a vocal dissenter at a town hall meeting about the proposed project dies. A few days later, another body is discovered, and although both deaths are ruled accidental, Emily’s journalistic suspicions are aroused.
Putting her reporting skills to the ultimate test, Emily teams up with Arabella to discover the truth behind Stonehaven’s latest scheme before the murderer strikes again.
The Hanged Man’s Noose is available at all the usual suspects, including Amazon.
You can also read the first four chapters free here.
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Joanne here!
Wow! I’m in awe of your diverse talents and inspiring journey. Best of luck with all your literary endeavors.