On Wednesdays, I share posts, fables, songs, poems, quotations, TEDx Talks, cartoons, and books that have inspired and motivated me on my writing journey. I hope these posts will give writers, artists, and other creatives a mid-week boost.
In a recent post on Writers Unboxed, author and coach Kathleen McCleary shared her reasons for writing. Here’s an excerpt from that post:
The answers to the Why do I write? question are as varied as we are, we writers, we joyful, tormented souls. You can find a great compilation of quotes from well-known writers on why they write here. When I really thought through this question for myself, I came up with this list:
I write to process my own feelings. I became a novelist in my forties, when my husband and I made a cross-country move and I had so many intense feelings about leaving behind our home in Oregon—the first house we’d ever owned, the house we’d brought our babies home to, the neighborhood where we’d established deep, life-long friendships—that I didn’t know what to do with it all. So I started writing a story about a woman who had to sell a house she loved because she was getting divorced. I could pour all my sadness about the move, my passion for my house and my hopes for the future into that character. And a side effect of processing your emotions honestly in fiction is that what you write rings true for readers. Crazy as my main character was (a little crazier than me), I found an agent and sold it in a pre-empt very quickly because it had an emotional truth that resonated with people. I can’t tell you how many readers and reviewers wanted to tell me about the houses they’d loved and lost. No matter what feelings you’re processing, you’re not the first or only human to feel that way, and that resonates.
I write to connect. Author Jami Attenberg said “I write because it is the thing I have to offer, the sharpest skill I have. I write to make people—and myself—feel less alone. I write because I want to communicate messages with the world.” It’s deeply gratifying to have readers respond to what I write because it resonates for them, as with all the people who wanted to tell me about their beloved houses, and makes them feel seen and understood. One reader wrote to me: “You managed to describe thoughts and feelings I couldn’t even begin to put into words. I found myself saying to myself, YES. That is exactly how it feels.’” Do I write to elicit that kind of response in readers? Well, hell yeah.
I write stories so I can control my own narrative, give my characters some of the experiences, choices, and emotions I wish I’d lived. We can provide our fictional characters with the deeply empathetic parent we wish we’d had, the lover who “gets” us on a soul-to-soul level, the wild career success we wish we’d enjoyed, the son we wish we’d had—not to mention creating characters with qualities we wish we embodied. George Saunders (Lincoln in the Bardo) says, “The result of [the] laborious and slightly obsessive process [of writing] is a story that is better than I am in ‘real life’ – funnier, kinder, less full of crap, more empathetic, with a clearer sense of virtue, both wiser and more entertaining.”
Joanne Guidoccio 